Showing posts with label Louisiana. Show all posts
Showing posts with label Louisiana. Show all posts

Monday, March 5, 2012

The article "Matisse and Louisiana..." by Asbjorn Lonvig published in Spanish

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Matisse y Louisiana...
por Asbjorn Lonvig
Traducción al español: Editorial Croquis


Usted seguro conoce a Henri Matisse.  
Y usted seguro conoce a Louisiana. 
Pero no es esa Louisiana de la que yo voy a hablar. 
En Dinamarca hay que un museo de arte llamado Louisiana. 
El Museo de Arte Moderno de Louisiana. 

El Centro Cultural Chicago
Hace algunos años yo estaba promoviendo mis obras en Chicago. 
Visité el Centro Cultural de Chicago y hablé con la directora.  
Ella era una mujer grande, afro-americano de unos cincuenta años aproximadamente. 
Recuerdo que ella amó mis motivos (obras) de París. 
Le dije, que era de Dinamarca. 
-¡Ohhhh Yeaaaah! ¡Louisiana! 
Y ella se respaldó en su sillón y entró en un estado de ensoñación. 
Ella me dijo que era el mejor museo de arte moderno en Europa. 
Me comentó sobre la interacción entre el museo de arte y la naturaleza. 
Me dijo sobre la gran vista del museo y que se pone en el borde del sonido entre Dinamarca y Suecia. 
Ella me dijo sobre la habilidad de Louisiana para mostrar el gran arte. 
Me dijo sobre la habilidad de Louisiana para mostrar a los grandes artistas. 
Ella me dijo sobre la habilidad de Louisiana de  comunicar
este gran arte a los visitantes. 
Un museo de arte que ella quiso ver de nuevo ciertamente. 
Y yo frecuentemente visito Louisiana. 
Exactamente por las mismas razones de mi amiga
afroamericana.

El mapa de Lousiana y fotografías 
Usted tiene que ir a experimentar la atmósfera allí. 
La naturaleza y el arte. 
Arte y naturaleza. 
Pero las fotografías podrían darle una indirecta
de lo que mi amiga en Chicago quiso decir.









Vea sobre la Arquitectura de Louisiana y la Colección de Louisiana en el sitio web: www.louisana.dk  

Matisse - una segunda vida
Louisiana y Museé de Luxemburgo en París se han unido en
una aventura. 
Un día el curador dinamarqués, Hanne Finsen especialista en Matisse, le pidió una taza de café  al director de Louisiana.  
Después el director le ofreció numerosas tazas de café a Hanne Finsen. 
Al director le gustó saber más sobre su idea. 
El director es el Poul Erik Tojner.

La idea 
Para hacer una exhibición basada en una correspondencia renovada, mientras empezaba la primavera de 1941, entre Matisse y su viejo amigo, el bibliófilo André Rouveyre; a quiensólo había visto ocasionalmente desde sus días en la prestigiosa École des Beaux-artes en París, o como se llama hoy Ècole Nationale Superieure des Beaux-artes.

La exhibición tenía que cubrir  la vida de Henri Matisse, él se murió el 3 de noviembre de 1954 en Niza. 
Las cartas ultrajan una amistad profunda entre Matisse y Rouveyre quién amaba y admiraba a Matisse. 
Matisse por su parte no necesitó a otro público mas que Rouveyre. 
Desde el punto de vista de los visitantes es interesante que las cartas ultrajen los pensamientos de Matisse porque inspiraron cada obra realizada en ése período.

La exhibición 
El 11 de agosto de 2005 yo vi esta exhibición. 
Usted tiene que ir a experimentar la atmósfera allí. 
Matisse y Louisiana. 
Louisiana y Matisse. 
Las fotografías podrían darle una idea de lo que yo quiero decir.
 






Usted nunca debe sacar fotografía en un museo de arte. 
Usted nunca debe usar el flash de su cámara. 
Hoy, sin embargo, yo tenía permiso para sacar fotografías y usar flash. 
Yo no lo podía creer.   
Para asegurar que no era ningún error,  simplemente encendí la cámara delante del director y delante del curador.... ningúna censura en la mirada.... era obviamente OK! 


Los pensamientos 
Siempre es un gran placer para mí ir al Museo de Louisiana de Art Moderno. 
Recientemente yo vi a Roy Liechtenstein y disfruté mucho. 
Y no tan hace tiempo yo vi a Warhol y no lo disfruté. No debido a la propia exhibición, 
pero siento que yo he visto todo los trabajos antes. Normalmente yo disfruto al ver los originales de trabajos, que he visto en los libros, en los papeles etc.  
Pero a mí los trabajos de Warhol han perdido su magia.  
Entonces.  Ayer yo vi a Matisse. Una experiencia de un tiempo de vida. 
Lo que me golpeó era sus pensamientos, para hacer las cosas simple. Para hacer las cosas colores luminosos. 
Le tomó una vida para lograr eso. 
Quizá él tuvo éxito a su edad alta, su segunda vida era de los 82 al 95. 
Quizá él tuvo éxito debido a su actitud de vida. 
Yo he leído que "Las cartas de Matisse y nos proporcionan la única visión en el proceso creativo del artista y sus pensamientos en su vida y trabajo."   
La narración es muy buena.   
El la mayor visión en el proceso creativo de un artista yo tengo. 
Pero. 
¡Yo tengo que leer el libro "Matisse - una segunda vida" - la letra en francés no es muy fácil comprender!!!!! 
¡Agradézco a Heni Matisse!!!! 




Las fotografías: 
 - de www.louisiana.dk, página principal y la arquitectura - el permiso por Susanne Hartz, Louisiana. 
La fotografía de la exhibición - por Asbjorn Lonvig.   
La fotografía del libro "Matisse - una segunda vida" - por Asbjorn Lonvig 
Matisse empapelan los corte-exteriores, pinturas, los dibujos de las cartas,
etc. la Sucesión de © H. Matisse / CopyDan, 2005 - aclaró con CopyDan

Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig
Noticias Del Arte - Blog Del Arte: Matisse y Louisiana... por Asbjorn Lonvig

New article "Matisse and Louisiana..." by Danish writer Asbjorn Lonvig

[Previous entry: "Art and Human Nature Collection"] [Next entry: "Art World Economics Part Three"]

artblog-18-face-small (5k image)You sure know Henri Matisse.
And you sure know Louisiana.
But it is not that Louisiana I think of.
In Denmark there is an art museum called Louisiana.
Louisiana Museum of Modern Art.

Chicago Cultural Center
Some years ago I was promoting my stuff in Chicago.
I visited the Chicago Cultural Center and talked to the director.
She was a size large wonderful African-American, age fifty I guess.
I remember she loved my Paris motifs.
I told her, that I was from Denmark.
Ohhhh Yeaaaah! Louisiana!
And she leaned back and entered a state of dreaming.
She told me that it was the best museum of modern art in Europe.
She told me about the interaction between the art museum and nature.
She told me about the great view from the museum, which is placed on the brink of the sound between Denmark and Sweden.
She told me about Louisiana's ability to show great art.
She told me about Louisiana's ability to show great artists.
She told me about Louisiana's ability to communicate this great art to the visitors.
An art museum that she surely wanted to see again.

And I visit Louisiana myself frequently.
For exactly the same reasons as my African-American friend.

Lousiana map and photos
You have to go there to experience the atmosphere.
Nature and art.
Art and nature.
But the photos might give you a hint of what my friend in Chicago meant.

artblog-18-louisiana-arkitektur-map (22k image)

artblog-18-louisiana-arkitektur-map (22k image)
artblog-18-louisiana-architecture-stairs (7k image)artblog-18-louisiana-architecture-tree (8k image)
artblog-18-louisiana-architecture-wood (7k image)artblog-18-louisiana-architecture-bridge (7k image)artblog-18-louisiana-architecture-wing (8k image)
artblog-18-louisiana-arkitektur-sculpture-hall (8k image)artblog-18-louisiana-arkitektur-galleri (5k image)artblog-18-louisiana-arkitektur-cafe (6k image)
artblog-18-louisiana-arkitektur-indgang (5k image)artblog-18-louisiana-arkitektur-cafe-2 (6k image)artblog-18-louisiana-arkitektur-view-from-sound (4k image)artblog-18-louisiana-arkitektur-koncert-hall (6k image)

See about the Louisiana Architecture and the Louisiana Collection at the Louisiana web site.

Matisse - a second lifeLouisiana and Muse? de Luxembourg in Paris have made a joined venture.
One day the Danish curator and Matisse expert Hanne Finsen asked the director of Louisiana for a cup of coffee.
Later the director offered Hanne Finsen numerous cups of coffee.
The director liked to know more about her idea.
The director is Poul Erik Tojner.

The idea
To make an exhibition based on a renewed correspondence, starting the spring 1941, between Matisse and his old friend, the knowledgeable bibliophile Andr? Rouveyre, whom he had seen only occasionally since their days at the prestigious ?cole des Beaux-Arts in Paris or as it is called today ?cole Nationale Superieure des Beaux-Arts.
The exhibition had to cover the rest of Henri Matisse's life, he died 3 November 1954 in Nice.
The letters reviles a profound friendship between Matisse and Rouveyre, who loved and admired Matisse.
Matisse for his part needed no other audience than Rouveyre.
From a visitors point of view it is interesting that the letters at the same time reviles Matisse's thoughts and inspiration behind each piece made in this period of time.

The exhibition
11 August 2005 I saw this exhibition.
You have to go there to experience the atmosphere.
Matisse and Louisiana.
Louisiana and Matisse.
But the photos might give you a hint of what I mean.

artblog-18-entrance (17k image)artblog-18-il-maistro (17k image)
artblog-18-face (14k image)artblog-18-fotostater (16k image)
artblog-18-bouveyre (15k image)artblog-18-bouveyre-face (14k image)
artblog-18-west-perspective (19k image)artblog-18-west-wing (18k image)artblog-18-letters (15k image)

The light was nearly turned off.
Because of the paper cut-outs.
Works in paper cut-out technique fades.

You must never photo in an art museum.
You must never, never use flash.
Today, however, I had the permission to photo and use flash.
I did not believe it.
What a scoop.
To ensure that it was no mistake I flashed just in front of the director
and then in front of the curator....no conservators in sight....it obviously was OK!

And.
I have put all the Matisse paper cut-out flash photos into my treasure chest.
Take a look into my treasure chest above.
Because of the missing light I had to photo with a "scene" feature.
Most of the paper cut-outs and paintings were framed with glass.
That's why the photos are not front photos.
In order to clear my photos concerning intellectual rights with the ? Succession H. Matisse foundation I contacted Copy-Dan, who administers these matters in Denmark together with sister organisations in other countries.
Most of my photos have to stay in my treasure chest.
I might have bought intellectual rights for several thousand dollars - you have to wait and see my photos next time you visit me. I have bought rights to my atmosphere photos - they are shown above. I am alowed to show them for one year - please, help me remember to update this article in one year!!!
I can, however, show you the best of the official press photos.

WWAR Art News coverage
On 12 August 2005 WWAR Art News run the article "Matisse: A Second Life", which covers the story perfectly.
So.
I need not tell you about the details.
I need to tell you what this exhibition meant to me.

Thoughts
It's always a great pleasure for me to go to the Louisiana Museum of Modern Art.
Recently I saw Roy Liechtenstein, which I enjoyed very much.
And not so long ago I saw Warhol, which I did not enjoy. Not because of the exhibition itself,
but I feel I have seen all the works before. Usually I enjoy to se the originals of works I have seen in books, in papers etc.
But to me Warhol's works have lost their magic.
Warhol loved Warhol more than I do.
Then.
Yesterday I saw Matisse. An experience of a life time.
What struck me was his thoughts concerning to do things simple. To do things in bright colors.
It took him a lifetime to do it right.
Maybe he succeeded because of his high age, his second life was from age 82 to age 95.
Maybe he succeeded because of his attitude of life.

I have read that "The letters, which are typified by intimacy and irresistible humor, speak of both the events of everyday life and Matisse?s work and thus provide us with unique insight into the artist?s creative process and his thoughts on his life and work".
It's very good storytelling.
The more insight into an artist's creative process I have - the greater is my joy.
But.
I have to read the book "Matisse - a second life" - handwriting in French is not very easy to comprehend!!!!!

One thing more.
Paper-cut.
I myself use paper-cut very much, which I have not been very proud of. Real art is oil painting - I thought.
But seeing Matisse use paper-cut in his second life has encouraged med enormously.
Thank you Heni Matisse!!!!

artblog-18-book (18k image)

Photos:
Map of Louisiana and small photos of Louisiana - from www.louisiana.dk, main page and the architecture - permission by Susanne Hartz, Louisiana.
Photo of the exhibition atmosphere - by Asbjorn Lonvig.
Photo of the book "Matisse - a second life" - by Asbjorn Lonvig
Matisse paper cut-outs, paintings, drawings, letters etc. ? Succession H. Matisse / CopyDan, 2005 - cleared with CopyDan.

Replies: 6 Comments

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on Monday, September 5th, Asbjorn Lonvig said

My unreserved apology to all American Blacks. Brad has been so kind to explain to me the difference between Afro-American and African-American. I have udpated the blog "Matisse and Louisiana...".

on Tuesday, August 30th, jose said

Asbjorn, as always, i enjoyed your blog very much. This one was particularly uplifting.

Gabriella, It was refreshing to read your response to this blog. You point out certain important aspects that I feel sometimes have been forgotten or set aside out of embarrassment. Art IS religion. The artist is striving to understand his place in this web of confusion that keeps him in a state of separateness and showing us through his work his attempts at making sense of it all and becoming ONE [regardless of whatever belief system he may embrace]. It is therefore not surprising that we sometimes experience this feeling of communion you mention when faced with a work of Art, especially if care has been taken to dignify it with adequate presentation.

on Monday, August 29th, Asbjorn said

to RT,
Sorry for the mistake.
I do not know the difference between African-American and Afro-American.
Please explain?
Don't withhold any comments....

on Monday, August 29th, Hyacinthe Baron said

Hi Asbjorn.

Thank you for taking the time to share. Yes, Art and Nature, Art and Human Nature, these are the important things to bear in mind in these times in relation to art processes and thoughts.

I lived in Gothenberg and travelled widely to other countries so I am aware of the wonderful views you have taken such pains to describe.

As to the cutouts...when they were shown at the Museum of Modern Art in NYC I recall they were not well received by the art critics who did not appreciate the childlike artistic regression of an old man in his cups as they say. The magic is in the name of course.

Similar thing occured with Wilhelm DeKooning when his agent and galleries tried to exhibit the works he produced after he contracted Alzeheimers. Everyone in the art world was so hoping the value both monetary and experiential would be worth a great deal. Art Critics had no appreciation for the new works and lamented the loss of such a great technique master. But then DeKooning always had a tendency for erratic behaviour, which fortunately for him paid off. I have written several short stories about my meetings with DeKooning and with Pollack and the drunkenness that led them to let go and produce their greatest works.

How all this relates to living artists today and what is the message really?

The kind of letting go you describe is scary...primitives tether celebrants for fear they will let go and be unable to be brought back...in the case of old revered artists that is no longer a problem...in the matter of young artists it can be a danger.

The road to madness is often disguised...artists need to distinguish and to discipline to reach maximum creative potential.

Admiration and reverence...yes, very much like religious experience. It pleases me that you have so much enjoyment.

on Monday, August 29th, Gabriella Morrison said

Asbjorn;

Those are some great photos of the Museum Louisiana you have made, both interior and exterior. Viewing these photos made me think on an idea I have held that Galleries and Museums have become places that function today as did churches in the past. They hold images and objects which bear meaning and belief for us. The stories these images and beliefs contain and elucidate reveal to us what in our time we hold most important and sacred. The enlarged photos in the Luisiana, which appear to have shown Matisse in various settings seem to function much the same as illustrations of saints' lives in the poliptych panels that can be seen in European churches and Museums.The paper-cuts of Matisse had to have been fantastic to see, even in a necessarily lower light gallery space. I was fortunate to see some of the papercuts in 1966 in Paris and and they caused in me a reaction of freedom from care and the wanting to dance, move with a cadenced ease and of wanting to hold on to such idyllic feelings for the rest of my life. It was a communion of sorts, and this happened in an Art Museum. And of course the "sermon" was illustrated on the walls, in a spare, clean and hush interior. There is not much difference in my mind between what I experienced there from what an semi-literate townswoman may have experienced in the Scrovegni Chapel in the 15th Century, AD.