Showing posts with label World. Show all posts
Showing posts with label World. Show all posts

Wednesday, May 23, 2012

Fine Art Video - a Revolution in the World of Art

For those who want to show their art to the world in a new and different way from others, fine art video is a very good option.The history of art is very old. Since thousands of years art is being used. Then the concept of fine paintings is being introduced to the world thousands of years ago. Previously, the main fine paintings were painting, sculpture, architecture, music and poetry. Drama and dancing were also considered to be good option.

Nowadays, mostly fine art is acknowledged as visual such as painting and sculpture and also performing arts like dance, theatre and music.From earlier days was considered to be only still images. Usually, painting is the very common paintings. On the other hand, the moving images or a running picture can also be a good painting. This belief has been evolved after many years since people came to know about the art. Many people call it as a video.Now, the definition of art started changing in the 1970s. A new form of art came into existence, through moving pictures. Though video art is being used many years back also, not much were ready to take it as art. But during past few decades people have started accepting also as a form. This gave a totally new platform for those who wanted to show their ideas or views in an interesting way. Like all the sectors, it has also developed technically with the changing periods.Like the traditional fine arts, video fine art also requires very good skills. There are many ways of making a video fine art. Many artists just combine many still images and make a video. The imagescan be of same concept or different topics. Many a times you may come across a video, where the images are placed in such a manner that they tell a story or the real life situations.Also, many art lovers consider short movies also a video art. Here, you can express you feelings, ideas by making a short film which touches the heart of the viewers. Hence, you can also make a short video which people call as classic art. Combining two videos can also be a fine art such as it is a treat to the eyes.In today's time, internet is being used in almost all sectors. There are many websites where you can upload your art video and can reach to the millions of people. Also, there are many online art galleries, where you can exhibit your art.

ArtMaya Fine Art Gallery offers a great collection of exquisite San Diego art gallery and other Fine art video. Based in San Diego it is one of the most prominent fine art galleries in California.



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Sunday, March 4, 2012

Now run in ADN World ArtNews in Tokyo, Japan.

Yesterday I visited Aros.

Who is Aros?
What is Aros?
An operating system to an Amiga computer?
The best of Scottish Music, Books, Culture and Heritage?
A golf club in V?ster?s in Sweden?
An Amsterdam based sextet playing rhythmically compelling blend of jazz, classical and new music ideas?
A Danish insurance company?
Or?
Yes, all of the above.
But.
Aros is also the ancient name of the capital of a peninsula called Jutland, which is a province of Denmark.
Today the city is called Aarhus.
And Aros is an art museum.
I live near by.
According to the chairman of the board, Neil Kzokoss, Chicago Athenaeum, Museum of Architecture and Design, who visited me once, my house is located "in the middle of nowhere".

Well, your expectations to an art museum in the middle of nowhere in a province of Denmark might not be high.
Stay tuned.

Outside

And when you look at this art museum from outside it is nothing but a huge cube.
A huge box.
A huge brick.
Ok, there are a few architectural goodies when you look closer.
A ramp from the street to the lounge.
A lift in a tube.
Huge windows.
And according to well informed sources there is some very expensive
but unfortunately invisible masonry.
But.

Inside

At the moment you enter the lounge, your breath is taken away.
Where am I?
I'm totally confused.
Suddenly I am indeed not in the middle of nowhere.
I'm in New York.
And the architect is renowned Frank Lloyd Wright.
I'm at 1071 Fifth Avenue at 89th Street in New York.
1071 Fifth Avenue at 89th Street in New York is of course
the address of Guggenheim Museum.
Frank Lloyd Wright's masterpiece on Fifth Avenue was built in 1959.
Amazing how Frank Lloyd Wright's architecture is contemporary.
In Chicago I saw several of his houses that looked as if they were built yesterday.
One was from 1909.
Frank Lloyd Wright had a rare gift, sure.
Divinity?
If you did not know that Frank Lloyd Wright had passed away
and if you did not know that the architects of Aros were Morten Schmidt, Bjarne Hammer og John Lassen
you surely had any reason to assume that Aros was a Frank Lloyd Wright creation.

_______________________________________________________________________________________

Advertisement

In my memory, Guggenheim Museum New York is white.
And the sky above is blue, blue, blue.
That's how I remember it from my visits there.
But I saw a picture of the museum recently.
It was sadly yellowish and the sky
above was smoggy.

To the left: "blue sky" by Asbjorn Lonvig
Acrylic on canvas
79.2 x 54.8 inches
US$ 12,000

_______________________________________________________________________________________

Who is Bill...?

Bill is not the most successful police drama on British television.
Bill is not he who is known from Microsoft with the sirname Gates.
Bill is not Bill of Rights. Amendment I.
Bill is not the former president of the United States.

Bill is Bill Viola.
Bill is a video artist.
Bill was born in New York.
He studied at the College of Visual and Performing Arts of Syracuse University, Syracuse, New York, graduating with a B.F.A.
After that he worked with various projects.
For example he worked with an avant-garde music group.
The National Endowment for the Arts awarded Bill a Visual Artist Fellowship for his work in video. He received a Video Artist Fellowship from the Rockefeller Foundation. The John Simon Guggenheim Memorial Foundation presented Bill with a video stipend........And his biography goes on like this.........of course he has exhibited at the Museum of Modern Art in New York and Guggenheim Museum in New York, Berlin and Bilbao have shown his works.

This world artist exhibits at Aros.
The exhibition is called Bill Viola's Visions and it takes place right now at
ARoS Aarhus Kunstmuseum in collaboration with Guggenheim Bilbao,
Solomon R. Guggenheim Museum New York and Deutsche Guggenheim Berlin.
On beforehand I read this in the catalog (....which actually is a book):

The five pieces comprising Bill Violas Visions strike
up certain fundamental themes that characterize
Viola's art, such as his fascination with birth, life,
death an rebirth. Inspired particularly by Buddhism's
concept of reincarnation, Viola treats existence as
a cycle where the human being is born, lives, dies,
and is born anew............................................
The next sentence I did not quit understand
but it might be explained here...........................
Bill Viola generates visions. He does so with visually
intense images, that wager our physically concrete
reality with an underlying metaphysical world.......

Or in short deep Bill.

I was ready to see deep Bill's art.
I too had seen an interview with a curator from Aros
in TV, she was fascinated by the technical aspects
of Bill's exhibition: Huge screens, high stereo sounds etc.

1. - Crossing

I entered the room.
No light at all.
With a screen in the middle of the room.
A screen that was not as huge as I was told
in TV.
I forgot everything about technical aspects as
a man began walking in slow motion far away.
Slow, slow motion.
I just stirred - totally forgetting how long the man's
crossing lasted.
As the man came close he stood still.
A tiny flame appeared.
It grew and grew and grew.
High sounds of thundering fire.
The man burns.
To ashes.
Silence.
Nothing left.

2. - Going Forth by Day

Five huge projections in one room each showing a video film.
Stereo sounds from the 5 video films.
Watching 5 deep Bill video films in one time is a tremendous challenge.

The deluge
At the wall facing you as you enter the room.
The projections are shown on the wall, like e fresco.
A door and 4 windows.
A beggar.
Furniture are removed from the house.
Pedestrians walk faster and faster.
Noise from the street.
Panic. People hurry out of the door.
Some do not manage to get out before cascades
of water catch them and rush them out in the street, dead.
Cascades of water from the windows.
High sounds of water.

The voyage
A dollhouse like house at the top of a hill.
A dying man is in a bed.
Two relatives are mourning.
A watch sits outside.
Removers and a bargeman are loading a barge.
The barge is at the lake shore.
The lake is calm. No wind. It seams artificial.
The two relative leave the dollhouse.
The watch leaves the hose.
The relatives return back to the hose.
The door is locked. The man in the hose has died.
Two elderly people say good by to each other on the lake shore.
And they both enters the barge and sail across the lake.

First light
Rocks and a pond.
Exhausted rescuers load an ambulance with stuff.
The ambulance leaves.
(I have forgotten the chronology)
It rains cats and dogs.
A woman is offered a blanket.
Three men and a woman go to sleep.
A woman comes out of the pond and flies into the sky.

The path
People are passing by.
In slow motion, all of them in the same direction.
Going to or coming from a picnic. Bringing things. This goes on and on.
The image is huge, it is on the long side of the room, from one end to another.

Fire Birth
The 5th screen was on fire every time I looked.
Contours of a figure emerged now and then.
A baby?
But only to fade away.

By the way - Bill was inspired by the renaissance master Luca Signorelli's Judgment Day frescoes
in Orvieto in Italy. Giotto has been of great inspiration to Bill, too. Giotto's greatest masterpiece is a giant 3-dimentional image, which you phisically enter - like Going Forth by Day.
Going Forth by Day lasted for half an hour.
Afterwards I had a feeling that I had to watch every single video film for half an hour,
but sure that's not Bill Viola's intention.
One half hour, period.
I had to take break.
Why?
It was too much.
Of what?
Can't say.
Alertness maybe.
Emotional bombardment probably.
I went to the nice Italian like Art Caf? and had a salad and two bread, a mineral water and a cup of coffee.

3. - Surrender

A single screen work.
A man in red.
His face is distorted with pain.
A woman in blue.
Her face is distorted with pain.
The man and the woman are reflected in the surface of a pool of water.
Now and then they bend forward and plunge.
The water runs off their faces.
Tears?
Their expressions become more and more painful.
And.
They dissolve.

4. - The Messenger

More water.
A naked man in the water.
He is submerged in water.
He comes to the surface.
Again.
And again.
And again.
Bill has told us about a boyhood incident in which he nearly drowned.
Bill recalls the episode as a peace filled, poetic experience.
To suggest itself as a metaphor for human existence?
Messenger?
The man assumes the role of a messenger between the concrete reality and a reality beyond?

5. - Five Angels for the Millennium

Aros?s own installation.
5 projections.
Water, water, water, water and water.
Things, humans descend and ascend.
I can't say so much about these 5 works.
Mentally closed down.
No more emotional bombardment for this day.
Some other day maybe.

After exhibition

I was tired.
Totally exhausted from concentration and impressions.
I went to to the information desk and introduced myself:
I have an appointment - I want to talk to the Communication Manager.
We had a cup of coffee in the Italian like Art Caf?.
We talked about Bill's exhibition.
About Bill's exhibition being exhausting.
We talked about Aros.
About Aros being a wonderful place.

People call it Aros.
I call it "Little Guggenheim".

Boy

Before I finish this story about Aros and Bill, I want to
show you something you will not see anywhere else.
It's the ARoS Aarhus Kunstmuseum landmark
"boy" by Ron Mueck
Height: 5 meters, that's 16.4 feet
A fantastic idea.

photos by Poul Ib Henriksen and ARoS Aarhus Kunstmuseum in collaboration with Guggenheim Bilbao, Solomon R. Guggenheim Museum New York and Deutsche Guggenheim Berlin.

This article has been read 5696 times. | Rating: 8.78 | Votes: 9.

Friday, March 2, 2012

Bravo Asbjorn for your wonderful take, in pictures and words, on the corporate world in which we live!!

 

[Previous entry: "PICTURE THIS - making art for eternity"] [Next entry: "How to communicate through pictures..."]

See CORPORATE VALUES by Michael Juul Jensen at the end of this article.
Corporate values - it sounds boring. Corporate valuez..zzzz...
Storytelling has recently been the buzzword in management.
I went to a couple of storytelling seminars - zzzz..ztorytelling zzzz..zeminars!!!

Did you know that Pfizer Inc. has shown great interest in the combination
of corporate values and storytelling as a sedative drug for those who suffer from insomnia?

Managing director Henrik Thorning, president and founder of Fiberline Composites Inc.
had won the Danish Industry Initiative Award.
I always make an art work to the award winner.
I met him in his factory - I was searching for some inspiration.
He showed me everything - enthusiastically.
He told me everything - enthusiastically.
He had just finished a timeconsuming work of developing the corporate values for the company.
But they were not implemented, yet.
And.
As he saw the logo I had made to 1st grad at Hedensted school.....

Henrik Thorning was excited.
Yes.
Yes.
Yes.
Make a story about SOFUS.
Exactly as pedagogically as the 1st grade logo.

Sure.
Sure.
And my very own storytelling concept had popped up.

A little bit of information to the reader:
Why a story about SOFUS?
Fiberline Composite Inc.'s corporate values focused on Samspil=Interplay, Ordentlighed=decency, Forudseenhed=foresight, Udfordring=challenge and Sund ?konomi=Yield a profit. The initials says SOFUS.
(......in English I still will call him SOFUS. Interplay, Decency, Foresight, Challenge and Yield a profit
says IDFCY....we couldn't call him IDFCY?)


for Fiberline Composites Inc., Denmark
Hi! My name is SOFUS.
My name has five letters.
They are the initials (in Danish) of five keywords,
that describes the values on which my company builds its business.

The first keyword is interplay.

Sofus Interplay

Here I am with open arms,
blue hair,
4 freckles,
large ears,
a big smile,
my very new overall trousers
and a red Shirt
inviting customers, colleges and cooperators
to play with me.
To work together with me.
Then it becomes more fun for me and more fun for you to go to work.

We will become more enthusiastic.

We will communicate better,
and what is most important,
we will be better troubleshooters concerning those problems,
that always will arise in an interplay.

Sofus Decency

Just for fun I have put on a halo.
I am not very holy.
I love beer and girls as everybody else.
But in a cooperation, I believe there must be some rules.
I keep what I promise.
If there are any changes in what we have agreed
we have to talk about it,
even if it can be difficult.

My intention is that whatever I have committed myself to,
will be achieved.

In this way I can assure myself and anybody else that my work will be done in the same way every time
achieving the highest possible standards.

Sofus Foresight...........

It is hard to foretell, especially about the future. Said the Danish humorist Storm P.
However we are not supposed to foretell.
We have to find all the elements, all the facts
that can tell us what the future probably will be like.
We have to keep a sharp lookout all the time.
We have to make good educated guesses.
We have to find out our goals.
Then we know which way to point.

We always try to achieve our goals.
If there is something wrong about our goals, if they are not realistic,
we will have them adjusted.

Sofus Challenge

Recently I was in the city of all cities, Paris.
I was in the Louvre where I saw Mona Lisa, I was
in Montmartre,
here I saw Place du Tetre with all the exhibiting and working artists, and
I saw the huge white cathedral Sacr?-Coeur.
And I saw everything else you have to see in Paris.
For instance the old Triumphal Arch and the new one.
I was at the top of them both. I had to use the stairs in the old Triumphal Arch,
but fortunately there was an escalator in the new Triumphal Arch.
The Danish architect Johan Otto von Spreckelsen has created a spectacular edifice.
Of course I was at the top of the Eiffel Tower, too.
But is is old.
It is rusty.
it is heavy, heavy, heavy
it must be hard to maintain.
When you are taking the escalator to the top it creaked and made disturbing sounds.
You almost believed that.....

I think Paris needs a new Eiffel Tower.
As I returned home I wrote to the Mayor of Paris:

Marie de Paris Bertrand Delano?
Hotel de Ville
5 rue de Lobau
75196 Paris RP

I told about the new tower, it is 50 meters higher than the Eiffel Tower is today.
It is erected in the park Champ-de-Mar on Place Jaques Rueff between the river Seine and Ecole Militaire.
The new tower is constructed of light materials free of maintenance and of very strong materials.
Splendid idea, Bertrand Delano? answered,
and asked for more details,
stressing that the architecture should be like that of Spreckelsens new Triumphal Arch.
Copying if possible some of the modernism and elegance of the new Arch in the Defence.

I went to my laboratory.
To invent the right material.
Concerning durability.
Concerning strength.
Concerning weight.
Etc.
And to find the right way to construct the new Eiffel Tower.
And finally to make tests.
As I had finished my work I showed the entire project to
Bertrand Delano?.
He loved the project and he was enthusiastic about implementing it.
SOFUS had invented a brand new modular system of building blocks.
It was world news.

The new Eifel Tower built
in Fibre Composites Materials.
Applying tomorrow's materials today. Next time you are in Paris, you must visit Champ-de-Mar on Place Jaques Rueff. Yield a profit Sofus........

I have put on my office clothes and I have had my hair done.
Now I am ready for talking about money.
To keep a business going it is necessary to earn some money.
Then we can still strengthen our knowledge and become less sensitive towards declining markets.
Our customers must be as satisfied as we are.
We must price our products reasonably, and sell reasonably,
so that we yield a profit.

And SOFUS became a hit
New SOFUSes and new stories were created


about Safety Sofus
about Angry Sofus and many more
As a tribute to the employee's children I made a coloring book in English, Danish and Italian
that the children can download and colorize

The story ...get rid og Angry-Sofus (in English) - the coloring book.
The story ...bliv fri for Vrede-SOFUS (p? dansk) - malebogen.
La storia ...LIBERATI DA SOFUS ARRABBIATO (in italiano) - il libro da Colorare. CORPORATE VALUES

By Michael Juul Jensen
Extracts from an article in e-newsletter INSIDER (www.insider.mondo.dk),
published by Mondo A/S.

Translated and edited by Asbjorn Lonvig.

The good story is met with sympathy in a time, where the
noise of messages is so extremely loud.
In USA the corporate storytelling is the latest tool in stakeholder-relations,
and in Denmark the attention to this tool is increasing.
In storytelling the company has the opportunity to illustrate it's potential,
a potential that is not shown in numbers and digits and
fancy business visions.
Storytelling is the opportunity to
communicate the values and goals of a company.

The good story is easy to remember and you want to tell it to others.
It is an efficient tool to communicate important messages to all
around a company - customers, suppliers, cooperators, competitors,
employees, the press, politicians
and not least stock-holders and potential investors.

In storytelling you have the tool to describe not measurable values and
the development potential of a company.
Concerning publishing these stories the corporate web site and e-newsletter
of course are evident. It's quick and relatively easy.
But it can as well be done by traditional means in the traditional media.
The point is to tell a story that makes it quite clear that
this exact company is something special.

Corporate storytelling started - not surprisingly - in USA.
Some years ago Scott Rosenberg, the managing editor of the famous
American e-zine Salon.com, wrote in an article "Story Time":

"a beginning wave of interest from the corporate world - which is beginning to see
narrative and storytelling as additional powerful tools in the marketing
arsenal. In a business environment where 'branding' has become a
mantra of power, many companies are beginning to think of
advertising as an opportunity to tell their corporate story to the world.
And marketers are looking for ways to capture stories from customers
about how they feel about a company's products and services.
Storytelling isn't just for kids any more - it's for CEOs, too."

PricewaterhouseCoopers is one of the companies that soon found out
the impact of a good story on a more efficient branding. One of the partners,
Bill Dauphinais, have said to "Fast Company":

"Brands are built around stories. And stories of identity - who we are,
where we've come from - are the most effective stories of all. This is
a powerful way to bring them to life."

Coca Cola has established a storytelling center i Las Vegas.
In "The World of Coca-Cola" the company percents an entire adventure world
in text, sound and pictures based on the Coca-Cola-brand.
Director Channel Deborah MacCarthy, Coca-Cola's College, says that there
is a thoroughly prepared branding strategy behind this untraditionally initiative:

"We wanted to bring the brand to life, to tell the stories of Coca-Cola,
and to express Coca-Cola's core values: fun, refreshment, and
specialness in people's lives."

The director of IBM's Institute of Knowledge Management, David Snowden
says about IBM's increased attention on the possibilities in storytelling:

"Organizations are beginning to understand that storytelling is not an
optional extra. Stories are something that already exist as an integral
part of defining what that organization is, what it means to buy from it,
what it means to work for it. These are the early days in
understanding the use of stories in modern business. The results,
however, are sufficiently good that we now know that there are major
benefits to be achieved from the use of stories and from the
development of storytelling skills."

In the book "The Springboard: How Storytelling Ignites Action in Knowledge Era
Organizations", Stephen Denning writes about how he - back in 1996 - discovered the power of
storytelling in motivating an entire organization to understand visions and bring visions into effect.
In his work as director of Knowledge Management in The World Bank,
Stephen Denning had for several years needed a better tool in promoting
new initiatives than numbers, reports, graphs etc.
At a meeting with the management he had the job to promote
a new information system.
For the first time he used storytelling.
Here is the story Stephen Denning:

"There was a health care worker in Kamana, Zambia, who in 1995
was searching for a method to treat malaria. The worker logged on to
the Web site of the Centers for Disease Control and within minutes
found his answer. This story happened, not in June 2015, but in June
1995. This is not a rich country, it is Zambia, one of the least
developed countries in the world. It is not even the capital of the
country; it is six hundred kilometers away. But the most striking
aspect of the picture is this: Our organization isn't in it. Our
organization doesn't have its know-how and expertise organized in
such a way that someone like the health worker in Zambia can have
access to it. But just imagine if it had! We could get ourselves
organized so that professionals have access to the resources
needed. Just in time and just enough."

According to Stephen Denning this very simple story had an astonishing
response from the management. The importance of having all information
in one place only, accessible to everybody even in the remotest corners was suddenly
very clear to the management. The following year a 'organization wide knowledge sharing
program' was implemented. The experience was the point of departure of an intensive
interest in storytelling, and in 2000
Stephen Denning published the book The Springboard
on this subject.
Stephen Denning writes:

"The attractions of narrative are obvious. Storytelling is natural and
easy and entertaining and energizing. Stories help us understand
complexity. Stories can enhance or change perceptions. Stories are
easy to remember. Stories are inherently non adversarial and
non-hierarchical. They bypass normal defense mechanisms and
engage our feelings."

Stephen Denning writes first and foremost about "springboard stories",
which have the purpose to engage people in organizational changes. But storytelling can
have numerous effects inside the company - not least in relation to
strengthening employees engagement in the company.
At the same time Stephen Denning points out the importance of that management
listens to the employees' stories. These stories are very sensitive tools for measuring
good and bad vibrations and the degree of enthusiasm - or lack of enthusiasm - concerning
visions and the management's decisions.

Replies: 1 Comment

on Tuesday, April 12th, Ellen Fisch said

All of art is storytelling. From the caveman to da Vinci to Picasso and on, the images that artists create reflect not only their vision and skills, but the times in which they live. Bravo Asbjorn for your wonderful take, in pictures and words, on the corporate world in which we live!!

 

Article to World Wide Art Resources Art News, USA and to ADN World ArtNews, Japan about Aros and Bill Viola.

According to the chairman of the board, Neil Kzokoss, Chicago Athenaeum, Museum of Architecture and Design, who visited me once, my house is located "in the middle of nowhere".

Well, your expectations to an art museum in the middle of nowhere in a province of Denmark might not be high.
However, stay tuned.

And when you look at this art museum from outside it is nothing but a huge cube.
A huge box.
A huge brick.

Wednesday, February 29, 2012

Sunday, February 26, 2012

Now run in ADN World ArtNews in Tokyo, Japan.

The article "Who is Aros - who is Bill" on Aros Art Musem in Aarhus, Denmark and world artist Bill Viola, USA is now run in ADN World ArtNews in Tokyo, Japan.
See it in Tokyo, Japan.


Sincerely,
Asbjorn Lonvig, columnist